
Fig.1 - Title Page of the Third Edition of the Elegy (1751.) That of the First Edition is very similar. |

Fig.2 - Title Page of the First Edition of FitzGerald's Rubaiyat (1859.) |

Fig.3a - Front Cover of a promotional booklet using the Elegy to advertise. American, c,1890. |

Fig.3b - Back Cover of Fig.3a. |

Fig.4 - Advertising Leaflet for the Courvoisiers range of Omar Khayyam beauty products. English, c.1912. |

Fig.5 - Advertisement for Eagle Shirts invoking Omar Khayyam. American, 1920 |

Fig.6 - Gray's Monument at Stoke Poges. |

Fig.7 - Gray's Monument in Westminster Abbey. |

Fig.8 - Gray's Tomb at Stoke Poges (on the left.) |

Fig.9 - FitzGerald's Grave (centre) and the Family Mausoleum at Boulge. |

Fig.10a - Bentley's Frontispiece for the Elegy. |

Fig.10b - Bentley's Headpiece and Initial Letter for the Elegy. |

Fig.10c - Bentley's Tailpiece for the Elegy. |

Fig.10d - Bentley's explanation of his Plates for the Elegy (Figs.10a, b, & c.) |

Fig.11 - Edwin Edwards' proposed illustration for v.68 of the third edition of FitzGerald's Rubaiyat (the Magic Lantern.) |

Fig.12 - The Frontispiece of the fourth edition of FitzGerald's Rubaiyat. |

Fig.13a - One of William Blake's illustrations of the Elegy. |

Fig.13b - Another of William Blake's illustrations of the Elegy. |

Fig,14a - An illustration from John van Voorst's edition of the Elegy (1834.) |

Fig,14b - Another illustration from John van Voorst's edition of the Elegy (1834.) |

Fig,14c - Another illustration from John van Voorst's edition of the Elegy (1834.) |

Fig.15a - Title Page of the Joseph Cundall edition of the Elegy (1855), showing Stoke Poges church. |

Fig.15b - An illustration from the Joseph Cundall edition of the Elegy (1855.) |

Fig.15c - Another illustration from the Joseph Cundall edition of the Elegy (1855.) |

Fig.15d - Another illustration from the Joseph Cundall edition of the Elegy (1855.) |

Fig.16a - An illustration from the Sampson Low, Son & Marston edition of the Elegy (1869.) |

Fig.16b - Another illustration from the Sampson Low, Son & Marston edition of the Elegy (1869.) |

Fig.17a - An illustration from the Ernest Nister & E.P. Dutton edition of the Elegy (1896) |

Fig.17b - Another illustration from the Ernest Nister & E.P. Dutton edition of the Elegy (1896) |

Fig.18a - An illustration from the Hurst & Blackett edition of the Elegy (1902.) |

Fig.18b - Another illustration from the Hurst & Blackett edition of the Elegy (1902.) |

Fig.19 - An illustration from the A & C Black edition of the Elegy (1914.) |

Fig.20a - An illustration from John Lane's Helicon Series edition of the Elegy (1928.) |

Fig.20b - Gilbert James's illustration of v.19 of the first edition of FitzGerald's Rubaiyat. |

Fig.21 - An illustration from the Medici Society edition of the Elegy (1931.) |

Fig.22 - Title Page and Frontispiece of the Golden Cockerel Press edition of the Elegy (1946.) |

Fig.23- Sample page from the Longman edition of the Elegy illuminated by Owen Jones (1846.) |

Fig.24- Sample page from the Day & Son edition of the Elegy illuminated by Lady Maria Willoughby (1866.) |

Fig.25 - An Elegy in a Country Back-Yard (Punch,1900.) |

Fig.26 - A Query - by Omar Khayyam (Punch, 1895.) |

Fig.27 - The cover of L.J. Hime's Allergy in a Country Churchyard (1951.) |

Fig.28 - One of Punch's Prize Medals (1882.) |

Fig.29 - An advertising poster for the 1957 Omar Khayyam film. |

Fig.30 - The front cover of Roach's Beauties of the Poets series no.1 (1794.) |

Fig.31 - Title Page & Frontispiece of the Scott, Webster & Geary edition of Graveyard Poetry (c.1827.) |