Cecil Watts Paul-Jones

Fig.1a: Heart's Desire - Title page.
Fig.1a: Heart's Desire - Title page.
Fig.1b: Heart's Desire - Frontispiece, quatrain 12.
Fig.1b: Heart's Desire - Frontispiece, quatrain 12.
Fig.1c: Heart's Desire - Quatrain 47.
Fig.1c: Heart's Desire - Quatrain 47.
Fig.1d: Heart's Desire - Quatrain 57.
Fig.1d: Heart's Desire - Quatrain 57.
Fig.1e: Heart's Desire - Quatrain 66.
Fig.1e: Heart's Desire - Quatrain 66.
Fig.1f: Heart's Desire - Quatrain 81.
Fig.1f: Heart's Desire - Quatrain 81.
Fig.1g: Heart's Desire - Quatrain 90.
Fig.1g: Heart's Desire - Quatrain 90.
Fig.1h: Heart's Desire - Quatrain 101.
Fig.1h: Heart's Desire - Quatrain 101.
Fig.2a: Rose-in-Hood - Stanza 20.
Fig.2a: Rose-in-Hood - Stanza 20.
Fig.2b: Rose-in-Hood - Stanza 36.
Fig.2b: Rose-in-Hood - Stanza 36.
Fig.2c: Rose-in-Hood - Stanza 39.
Fig.2c: Rose-in-Hood - Stanza 39.
Fig.2d: Rose-in-Hood - Stanza 69.
Fig.2d: Rose-in-Hood - Stanza 69.
Fig.2e: Rose-in-Hood - Stanza 80.
Fig.2e: Rose-in-Hood - Stanza 80.
Fig.3a: Green Beryl - Stanza 23.
Fig.3a: Green Beryl - Stanza 23.
Fig.3b: Green Beryl - Stanza 35.
Fig.3b: Green Beryl - Stanza 35.
Fig.3c: Green Beryl - Stanza 81.
Fig.3c: Green Beryl - Stanza 81.
Fig.3d: Green Beryl - Stanza 87.
Fig.3d: Green Beryl - Stanza 87.
Fig.3e: Green Beryl - Stanzas 90-95.
Fig.3e: Green Beryl - Stanzas 90-95.
Fig.4: Paul's secret marriage to Esther Grant revealed (1936.)
Fig.4: Paul's secret marriage to Esther Grant revealed (1936.)
Fig.5a: Paul's marriage to Audrey Barbara 'Nikki' Greenall in 1947.
Fig.5a: Paul's marriage to Audrey Barbara 'Nikki' Greenall in 1947.
Fig.5b: Paul painting a stage-set in c.1955.
Fig.5b: Paul painting a stage-set in c.1955.
Fig.5c: Family photo, c. 1955.
Fig.5c: Family photo, c. 1955.
Fig.5d: The 'twiggery' in Bath Crematorium.
Fig.5d: The 'twiggery' in Bath Crematorium.
Fig.6: The principal emblem of the Kibbo Kift.
Fig.6: The principal emblem of the Kibbo Kift.
Fig.7a: Paul as the Gleemaster, probably in 1927.
Fig.7a: Paul as the Gleemaster, probably in 1927.
Fig.7b: Paul in about 1928-1929.
Fig.7b: Paul in about 1928-1929.
Fig.7c: The everyday dress of the Kindred in 1931.
Fig.7c: The everyday dress of the Kindred in 1931.
Fig.7d: Ruth Hargrave in ceremonial dress, c.1924.
Fig.7d: Ruth Hargrave in ceremonial dress, c.1924.
Fig.7e: The Cynstoke Mummers in 1928.
Fig.7e: The Cynstoke Mummers in 1928.
Fig.7f: The Ceremony of the Touching of the Totems in 1925.
Fig.7f: The Ceremony of the Touching of the Totems in 1925.
Fig.7g: Paul holding a banner on a pilgrimage to Old Sarum in 1929.
Fig.7g: Paul holding a banner on a pilgrimage to Old Sarum in 1929.
Fig.8a: Paul's graphic for the Green Shirts, 1932-1934.
Fig.8a: Paul's graphic for the Green Shirts, 1932-1934.
Fig.8b: Paul's design for a KK Christmas card, 1932-1934.
Fig.8b: Paul's design for a KK Christmas card, 1932-1934.
Fig.8c: The Social Credit System compared to the status-quo in flow-chart form.
Fig.8c: The Social Credit System compared to the status-quo in flow-chart form.
Fig.9a: Poems of John Payne - Scorn and Sympathy.
Fig.9a: Poems of John Payne - Scorn and Sympathy.
Fig.9b: Poems of John Payne - Rime of Melisande.
Fig.9b: Poems of John Payne - Rime of Melisande.
Fig.9c: Poems of John Payne - Life's Motive Force.
Fig.9c: Poems of John Payne - Life's Motive Force.
Fig.9d: Poems of John Payne - Drunk or Sober.
Fig.9d: Poems of John Payne - Drunk or Sober.
Fig.9e: Poems of John Payne - The Soul's Ventures.
Fig.9e: Poems of John Payne - The Soul's Ventures.
Fig.10a: Land of Souls - Frontispiece and Title Page.
Fig.10a: Land of Souls - Frontispiece and Title Page.
Fig.10b: Land of Souls - Explanation of the Frontispiece.
Fig.10b: Land of Souls - Explanation of the Frontispiece.
Fig.10c: Land of Souls - the statuette of the Nereid.
Fig.10c: Land of Souls - the statuette of the Nereid.
Fig.10d: Land of Souls - the Poet and his Muse.
Fig.10d: Land of Souls - the Poet and his Muse.
Fig.10e: Land of Souls - the Super Soul and Body become one.
Fig.10e: Land of Souls - the Super Soul and Body become one.
Fig.11a: The Sea Princess and Other Poems - one of the three illustrations to the title poem.
Fig.11a: The Sea Princess and Other Poems - one of the three illustrations to the title poem.
Fig.11b: The Sea Princess and Other Poems - Song of the Ancient Spirits.
Fig.11b: The Sea Princess and Other Poems - Song of the Ancient Spirits.
Fig.11c: The Sea Princess and Other Poems - The Song of the Mortal Lover.
Fig.11c: The Sea Princess and Other Poems - The Song of the Mortal Lover.
Fig.12: Paul's star-shaped designs for the octane ratings of petrol (1967.)
Fig.12: Paul's star-shaped designs for the octane ratings of petrol (1967.)
Fig.13a: Angus McBean's Surrealist Christmas card to Paul (1948).
Fig.13a: Angus McBean's Surrealist Christmas card to Paul (1948).
Fig.13b: Angus McBean's Surrealist photograph of Frances Day (1938).
Fig.13b: Angus McBean's Surrealist photograph of Frances Day (1938).
Fig.13c: 'Stage-set' of which Fig.13a is a photograph.
Fig.13c: 'Stage-set' of which Fig.13a is a photograph.
Fig.13d: Photograph of Paul with Angus McBean's mother, used in Fig.13a.
Fig.13d: Photograph of Paul with Angus McBean's mother, used in Fig.13a.
Fig.13e: Detail of the eyes of the sculpture in Fig.13a.
Fig.13e: Detail of the eyes of the sculpture in Fig.13a.
Fig.14: Paul's design for a Spirograph-like device for drawing ellipses (c.1950.)
Fig.14: Paul's design for a Spirograph-like device for drawing ellipses (c.1950.)
Fig.15a: Islamic-style geometry used in an illustration for Heart's Desire (quatrain 8.)
Fig.15a: Islamic-style geometry used in an illustration for Heart's Desire (quatrain 8.)
Fig.15b: Paul's copy of an 18th century Persian painting, used in Rose-in-Hood (stanza 42.)
Fig.15b: Paul's copy of an 18th century Persian painting, used in Rose-in-Hood (stanza 42.)
Fig.15c: The original of which Fig.15b is a copy.
Fig.15c: The original of which Fig.15b is a copy.
Fig.16a: Rough sketches of the Beatles, done from photographs (c.1963-5.)
Fig.16a: Rough sketches of the Beatles, done from photographs (c.1963-5.)
Fig.16b: Cartoon done in a letter to his daughter, Miranda (early 1960s.)
Fig.16b: Cartoon done in a letter to his daughter, Miranda (early 1960s.)
Fig.16c: Two punning psychedelic designs (1967 ?)
Fig.16c: Two punning psychedelic designs (1967 ?)
Fig.16d: Christmas card design, dated 1947 on reverse.
Fig.16d: Christmas card design, dated 1947 on reverse.