Fig.1 - CGT in about 1915, when she was Gwen Russell.
Fig.2 - CGT and her husband Niel on their wedding day, December 1918.
Fig.3 - A family photo from about 1926.
Fig.4a - The cover of Reveries of Omar Khayyam.
Fig.4b - A colophon label for Reveries of Omar Khayyam.
Fig.5 - CGT's illustration of v.12 of the 4th edition of The Rubaiyat.
Fig.6 - CGT's illustration of v.13 of the 4th edition of The Rubaiyat.
Fig.7 - CGT's illustration of v.19 of the 4th edition of The Rubaiyat.
Fig.8 - CGT's illustration of v.22 of the 4th edition of The Rubaiyat.
Fig.9 - CGT's illustration of v.27 of the 4th edition of The Rubaiyat.
Fig.10 - CGT's illustration of v.37 of the 4th edition of The Rubaiyat.
Fig.11 - CGT's illustration of v.43 of the 4th edition of The Rubaiyat.
Fig.12 - CGT's illustration of v.48 of the 4th edition of The Rubaiyat.
Fig.13 - CGT's illustration of v.64 of the 4th edition of The Rubaiyat.
Fig.14 - CGT's illustration of v.86 of the 4th edition of The Rubaiyat.
Fig.15 - CGT's illustration of v.98 of the 4th edition of The Rubaiyat.
Fig.16a - One cover of Reveries of Omar.
Fig.16b - The title page or colophon sheet of Figs.16a and 16c.
Fig.16c - Another cover of Reveries of Omar.
Fig.17a - The cover of the Danbys edition of Reveries of Omar.
Fig.17b - The title page or colophon sheet of Fig.17a.
Fig.17c - A typical plate and its folder from Fig.17a.
Fig.17d - The Kaloprint label from Fig.17a.
Fig.18a - One cover of The Rubaiyat of Omar Khayyam.
Fig.18b - The publisher's stamp in Fig.18a.
Fig.18c - Another cover of The Rubaiyat of Omar Khayyam.
Fig.18d - The inserted sheet in Fig.18c.
Fig.19 - The cover of Job.
Fig.20 - CGT's illustration of Job 3.3 (Job regrets being born.)
Fig.21 - CGT's illustration of Job 4.10-11 (the metaphor of the vanquished lion.)
Fig.22 - CGT's illustration of Job 42.17 (the death of Job.)
Fig.23 - The title page of the Kaloprint edition of Benjamin Franklin's Choosing a Mistress.
Fig.24 - The title page of the Danbys edition of Benjamin Franklin's Choosing Your Woman.
Fig.25 - CGT's illustration of Franklin's Reason 1 (see note 8.)
Fig.26 - CGT's illustration of Franklin's Reason 5 (see note 8.)
Fig.27 - CGT's illustration of Franklin's Reason 8 (see note 8.)
Fig.28 - One of CGT's illustrations from Ten Little Nigger Boys.
Fig.29 - One of CGT's verses, with illustration, from Bad Rhymes about Good Animals.
Fig.30 - CGT's illustration of an Arab Dhow from The Story of Sail.
Fig.31 - CGT's portrait of the original Alice in Wonderland, at the age of eighty.
Fig.32 - A studio photo of CGT by Pearl Freeman, taken in the early 1930s.
Fig.33 - CGT and her husband Rolf Ehrenborg in about 1935.
Fig.34 - CGT on horseback in Sweden in the 1930s.
Fig.35a - Dust-jacket of Wild Horse of the West.
Fig.35b - Inner flap of Fig.35a, where CGT is assumed to be a man.
Fig.36 - Dust-jacket of Drawing without a Master, its inner flap again assuming CGT to be a man.
Fig.37 - CGT's cartoon sketch of The Church in a Hurry.
Fig.38 - CGT's odd little sketch, Dutch Girl swabbing floor.
Fig.39 - CGT's sketch of an unfortunate juxtaposition of signs.
Fig.40 - CGT in army uniform, 1944.
Fig.41 - CGT's portrait of a Chinaman, done in Los Angeles in the 1920s.
Fig.42 - CGT's painting of a Barn Owl from an unpublished book on which she was working at the time of her death.
Fig.43 - CGT's design for her own bookplate, done before her first marriage, when she was still Gwen Russell.
Fig.44 - CGT's Landscape: the Lotus Eaters (1920s).
Fig.45 - CGT's The Prince passing through the Haunted Forest (1920s).
Fig.46 - A bound copy of Reveries of Omar.
Fig.47 - A bound copy of the Danby edition of Reveries of Omar (?)