
Fig.1a: Rubaiyat - Verse 3 |

Fig.1b: Rubaiyat - Verse 5 |

Fig.1c: Rubaiyat - Verse 9 |

Fig.1d: Rubaiyat - Verse 14 |

Fig.1e: Rubaiyat - Verse 15 |

Fig.1f: Rubaiyat - Verse 16 |

Fig.1g: Rubaiyat - Verse 23 |

Fig.1h: Rubaiyat - Verse 25 |

Fig.1i: Rubaiyat - Verse 30 |

Fig.1j: Rubaiyat - Verse 32 |

Fig.1k: Rubaiyat - Verse 34 |

Fig.1l: Rubaiyat - Verse 40 |

Fig.1m: Rubaiyat - Verse 43 |

Fig.1n: Rubaiyat - Verse 56 |

Fig.1o: Rubaiyat - Verse 58 |

Fig.1p: Rubaiyat - Verse 60 |

Fig.1q: Rubaiyat - Verse 64 |

Fig.1r: Rubaiyat - Verse 70 |

Fig.2: A Balloon Ascension at Midnight (p.8) |

Fig.3: Prosit - a Book of Toasts (Frontispiece) |

Fig.4a: Matrimonial Primer (Title Page) |

Fig.4b: Matrimonial Primer (Letter D vignette) |

Fig.4c: Matrimonial Primer (Multiplication) |

Fig.4d: Matrimonial Primer (Division) |

Fig.5: Sovereign Woman versus Mere Man (Frontispiece) |

Fig.6: Norroy, Diplomatic Agent (Frontispiece) |

Fig.7a: Impertinent Poems (Cover) |

Fig.7b: Impertinent Poems (Vanity) |

Fig.7c: Impertinent Poems (Father Time) |

Fig.7d: Impertinent Poems (Father Time) |

Fig.7e: Impertinent Poems (Peasant and King) |

Fig.7f: Impertinent Poems (Poet) |

Fig.7g: Impertinent Poems (End-piece) |

Fig.8: Illustration for Harper's Weekly. |

Fig.9a: Cover Illustration for Puck Magazine |

Fig.9b: Centrefold Illustration for Puck Magazine |

Fig.10: Cover Illustration for Leslie's Weekly Magazine |

Fig.11a: The Children's Munchausen (facing p.38) |

Fig.11b: The Children's Munchausen (facing p.74) |

Fig.11c: The Children's Munchausen (facing p.36) |

Fig.11d: The Children's Munchausen (facing p.68) |

Fig.12a: Ladies in Hades (Lilith) |

Fig.12b: Ladies in Hades (Eve) |

Fig.12c: Ladies in Hades (Salome) |

Fig.12d: Ladies in Hades (Lucrezia Borgia) |

Fig.12e: Ladies in Hades (Sappho) |

Fig.12f: Ladies in Hades (Cleopatra) |

Fig.12g: Ladies in Hades (Satan) |

Fig.13: Rural Sports (Title Page and Frontispiece) |

Fig.14a: A Christmas Carol (Frontispiece) |

Fig.14b: A Christmas Carol (facing p.54) |

Fig.15a: Great Expectations (Frontispiece) |

Fig.15b: Great Expectations (facing p.3) |

Fig.16a: The Posthumous Papers of the Pickwick Club (Frontispiece) |

Fig.16b: The Posthumous Papers of the Pickwick Club (facing p.108) |

Fig.16c: The Posthumous Papers of the Pickwick Club (p.385) |

Fig.16d: The Posthumous Papers of the Pickwick Club (p.602) |

Fig.17a: The Sketchbook of Geoffrey Crayon (facing p.50) |

Fig.17b: The Sketchbook of Geoffrey Crayon (p.79) |

Fig.17c: The Sketchbook of Geoffrey Crayon (p.134) |

Fig.17d: The Sketchbook of Geoffrey Crayon (p.255) |

Fig.17e: The Sketchbook of Geoffrey Crayon (p.334) |

Fig.18: Pony Jungle (p.120-1) |

Fig.19a: The Sir Roger de Coverley Papers (facing p.21) |

Fig.19b: The Sir Roger de Coverley Papers (facing p.77) |

Fig.19c: The Sir Roger de Coverley Papers (facing p.92) |

Fig.20a: Living Biographies of Great Painters (facing p.249) |

Fig.20b: Living Biographies of Great Poets (facing p.184) |

Fig.21: A fifteenth century Wheel of Fortune |

Fig.22: Walter Crane, The Mower |

Fig.23: Dante Gabriel Rossetti, The Sphinx or The Question |

Fig.24: William Strang, Father Time |

Fig.25: John Collier, Lilith |