Fig.1a: Eduardo Hay's Rubaiyat - front cover.
Fig.1b: Eduardo Hay's Rubaiyat - back cover.
Fig.1c: Eduardo Hay's Rubaiyat - Roberto Montenegro (Daughter of the Vine.)
Fig.1d: Eduardo Hay's Rubaiyat - Roberto Montenegro (Memento Mori.)
Fig.1e: Eduardo Hay's Rubaiyat - Roberto Montenegro (Omar & his Beloved.)
Fig.1f: Eduardo Hay's Rubaiyat - Roberto Montenegro (Omar & his Beloved.)
Fig.1g: Eduardo Hay's Rubaiyats in the NU Catalog.
Fig.2: Table of Correspondences of Hay's verse numbers with FitzGerald's (4th edition.)
Fig.3a: T. Ifor Rees's Rubaiyat - R.C. Hesketh ('Tis all a Chequer-board of Nights and Days &c.)
Fig.3b: T. Ifor Rees's Rubaiyat - R.C. Hesketh (Awake! for Morning in the Bowl of Night &c.)
Fig.3c: T. Ifor Rees's Rubaiyat - R.C. Hesketh (Awake! for Morning in the Bowl of Night &c.)
Fig.3d: T. Ifor Rees's Rubaiyat - R.C. Hesketh (And strange to tell, among that Earthen Lot &c.)
Fig.3e: T. Ifor Rees's Rubaiyat - R.C. Hesketh (Here with a Loaf of Bread &c.)
Fig.3f: T. Ifor Rees's Rubaiyat - R.C. Hesketh (vignette - generic Persian scene.)
Fig.3g: T. Ifor Rees's Rubaiyat - R.C. Hesketh (terminal vignette - turn down an empty Glass.)
Fig.3h: T. Ifor Rees's Rubaiyat - Colophon.
Fig.4a: Heron Allen Facsimile edition - Ella Hallward credit.
Fig.4b: Heron Allen Facsimile edition - half-title page, with calligraphy.
Fig.4c: Heron Allen Facsimile edition - calligraphic heading with text of opening verses.
Fig.4d: Heron Allen Facsimile edition - front cover.
Fig.4e: Heron Allen Facsimile edition - terminal vignette - Tamam Shud.
Fig.5: Roberto Montenegro's front cover for Amado Nervo's Ellos.
Fig.6a: T. Ifor Rees's translation of Gray's Elegy - illustration by Robert Hesketh.
Fig.6b: T. Ifor Rees's translation of Gray's Elegy - illustration by Robert Hesketh.
Fig.6c: T. Ifor Rees's translation of Gray's Elegy - illustration by Robert Hesketh.
Fig.6d: T. Ifor Rees's translation of Gray's Elegy - illustration by Robert Hesketh.
Fig.6e: T. Ifor Rees's translation of Gray's Elegy - illustration by Robert Hesketh.