Fig.1a: Rubaiyat (1909) - quatrain 1.29.
Fig.1b: Rubaiyat (1909) - quatrain 1.32.
Fig.1c: Rubaiyat (1909) - quatrain 1.46.
Fig.1d: Rubaiyat (1909) - quatrain 1.57.
Fig.2a: Rubaiyat (1930) - front cover.
Fig.2b: Rubaiyat (1930) - quatrain 1.2.
Fig.2c: Rubaiyat (1930) - quatrain 1.38.
Fig.2d: Rubaiyat (1930) - quatrain 1.42 & 4.58 (frontispiece.)
Fig.2e: Rubaiyat (1930) - quatrain 4.12.
Fig.2f: Rubaiyat (1930) - quatrain 4.29.
Fig.2g: Rubaiyat (1930) - quatrain 4.45.
Fig.2h: Rubaiyat (1930) - quatrain 4.94.
Fig.2i: Rubaiyat (1930) - vignette for quatrain 1.18.
Fig.2j: Rubaiyat (1930) - vignette for quatrain 1.31.
Fig.2k: Rubaiyat (1930) - vignette for quatrain 1.33.
Fig.2l: Rubaiyat (1930) - vignette for quatrain 1.61 or 1.62.
Fig.2m: Rubaiyat (1930) - vignette for quatrain 1.72.
Fig.2n: Rubaiyat (1930) - vignette for quatrain 4.25.
Fig.2o: Rubaiyat (1930) - vignette for quatrain 4.46.
Fig.2p: Rubaiyat (1930) - original etching in the limited edition.
Fig.2q: Rubaiyat (1930) - front cover of the limited edition.
Fig.3a: Rubaiyat (1934) - dust jacket.
Fig.3b: Rubaiyat (1934) - front cover.
Fig.3c: Rubaiyat (1934) - enlarged vignette.
Fig.3d: Rubaiyat (1934) - enlarged vignette.
Fig.4a: Rubaiyat (1935) - front cover.
Fig.4b: Rubaiyat (1935) - new plate for quatrain 1.2.
Fig.4c: Rubaiyat (1935) - new plate for quatrain 1.29.
Fig.4d: Rubaiyat (1935) - new plate for quatrains 1.70 & 4.94 (frontispiece.)
Fig.4e: Rubaiyat (1935) - redrawn vignette.
Fig.4f: Rubaiyat (1935) - redrawn vignette.
Fig.4g: Rubaiyat (1935) - redrawn vignette.
Fig.4h: Rubaiyat (1935) - new vignette.
Fig.4i: Rubaiyat (1935) - new enlarged vignette.
Fig.4j: Rubaiyat (1935) - new enlarged vignette.
Fig.4k: Rubaiyat (1935) - a newspaper advert.
Fig.5a: Rubaiyat (1942) - quatrain 4.3.
Fig.5b: Rubaiyat (1942) - quatrain 4.7.
Fig.5c: Rubaiyat (1942) - quatrain 4.12 (frontispiece.)
Fig.5d: Rubaiyat (1942) - quatrain 4.14.
Fig.5e: Rubaiyat (1942) - quatrain 4.25.
Fig.5f: Rubaiyat (1942) - quatrain 4.44.
Fig.5g: Rubaiyat (1942) - quatrain 4.55.
Fig.5h: Rubaiyat (1942) - quatrain 4.58.
Fig.5i: Rubaiyat (1942) - quatrain 4.72.
Fig.5j: Rubaiyat (1942) - quatrain 4.76.
Fig.5k: Rubaiyat (1942) - quatrain 4.83.
Fig.5l: Rubaiyat (1942) - quatrain 4.90.
Fig.6a: Tannhauser - frontispiece & title-page.
Fig.6b: Tannhauser - contents page.
Fig.6c: Tannhauser - thorns of entrapment.
Fig.6d: Tannhauser - Tannhauser at the feet of Venus.
Fig.6e: Tannhauser - Venus & Tannhauser, with Gorgon's head.
Fig.6f: Tannhauser - the departure of Tannhauser, with Gorgon's head.
Fig.6g: Tannhauser - tailpiece.
Fig.6h: Tannhauser - a bacchanalian revel.
Fig.6i: Tannhauser - Venus and the disconsolate Tannhauser.
Fig.7a: Bilitis - The Flute.
Fig.7b: Bilitis - Mnasidika's Breasts.
Fig.7c: Bilitis - The Priestesses of Astarte.
Fig.7d: Bilitis - The Vendor of Women.
Fig.7e: Bilitis - True Death.
Fig.8a: The Kasidah - book 1, verse 7.
Fig.8b: The Kasidah - book 2, verse 17.
Fig.8c: The Kasidah - book 4, verse 9.
Fig.8d: The Kasidah - book 5, verse 11.
Fig.8e: The Kasidah - book 8, verse 4.
Fig.8f: The Kasidah - book 9, verse 21.
Fig.9a: The Light of Asia - the new-born Buddha and his mother (book 1, p.3; frontispiece.)
Fig.9b: The Light of Asia - the dreams of King Suddhodana (book 3, p.47-51.)
Fig.9c: The Light of Asia - Buddha leaves the palace (book 4, p.76.)
Fig.9d: The Light of Asia - Buddha and the Holy Men (book 5, p.87.)
Fig.9e: The Light of Asia - the enlightened Buddha visited by demonic forces (book 6, p.118.)
Fig.9f: The Light of Asia - the vision of Sorrow, first of the Noble Truths (book 6, p.127.)
Fig.10a: The Song Celestial - the subjugation of the self (book 4, p.30.)
Fig.10b: The Song Celestial - the joys of this world are fleeting (book 5, p.36.)
Fig.10c: The Song Celestial - the types of mortal who are pleasing to God (book 7, p.49.)
Fig.10d: The Song Celestial - all things return to the Godhead to be reborn (book 9, p.59.)
Fig.10e: The Song Celestial - the spirit and its bodily prison (book 13, p.99.)
Fig.10f: The Song Celestial - sins as the doors of hell (book 16, p.115.)
Fig.11a: Sonnets from the Portuguese - illustration of Sonnet 28.
Fig.11b: Sonnets from the Portuguese - illustration of Sonnet 32
Fig.11c: Sonnets from the Portuguese - illustration of Sonnet 12.
Fig.11d: Sonnets from the Portuguese - half-title page.
Fig.11e: Sonnets from the Portuguese - facing the index of first lines.
Fig.11f: Sonnets from the Portuguese - facing the introduction.
Fig.11g: Sonnets from the Portuguese - facing Sonnet 1.
Fig.11h: Sonnets from the Portuguese - tail-piece of the book.
Fig.12a: Confessions of an English Opium Eater - title-page.
Fig.12b: Confessions of an English Opium Eater - a vision of the east.
Fig.13: Willy Pogany in 1938.